Hitchens / McGrath – Religion: The Center vs The Fringe, Pt 3

February 22, 2012

Complete video at: fora.tv Oxford University theologian Alister McGrath debates atheist author Christopher Hitchens on whether the goals of mainstream religions can be separated from those of their extremist “fringes.” This is part three of a three-part excerpt. Part one: www.youtube.com Part two: www.youtube.com —– Poison or Cure? Religious Belief in the Modern World: A debate, dialogue, and discussion with Christopher Hitchens and Alister McGrath. The Ethics and Public Policy Center and the Berkley Center for Religion, Peace, and World Affairs at Georgetown University host a debate between writer Christopher Hitchens and Oxford University professor Alister McGrath on the role of religious belief in the modern world. Christopher Hitchens is an author, journalist and literary critic. Now living in Washington, DC, he has been a columnist at Vanity Fair, The Nation and Slate; additionally, he is an occasional contributor to many other publications. He is most recently the author of “God Is Not Great: How Religion Poisons Everything” (2007) and editor of “The Portable Atheist: Essential Readings for the Nonbeliever” (2007). Alister McGrath is a biochemist and Christian theologian born in Belfast, North Ireland. He currently enjoys the title of distinction “Professor of Historical Theology” granted by the University of Oxford. He has written extensively on history and theology, including “In the Beginning: The Story of the King James Bible and How It Changed a Nation, a

http://www.youtube.com/watch?v=-EuDYGnWMiQ&hl=en

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Theology is for Everyone (JI Packer)

February 20, 2012

Dr. James I. Packer speaks on the importance of theology.

http://www.youtube.com/watch?v=EGdpY0OcV_M&hl=en

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An Incredible American Collage Artist Named Robert Rauschenberg

February 18, 2012

In 1947, while in the United States Marine Corps he discovered his own aptitude for sketching and fascination with the artistic manifestation of every day objects and people. Immediately after leaving the Marine Corps, Rauschenberg studied paintings in Paris. In less than a year he moved to live in North Carolina, in which the country’s most visionary artists were educating at Black Mountain College. Rauschenberg undertook studies under Josef Albers, who stressed layout as being a discipline, and Rauschenberg believed he needed such education. He mentioned that Albers has been the teacher most important to his development. There Rauschenberg began what was to be an artistic revolution. Soon, North Carolina country life would seem small and he left for New York to make it as a painter. Amidst the chaos and excitement of city lifestyle Rauschenberg realized the total extent of what he can provide for painting.

Rauschenberg’s enthusiasm with regard to pop culture and his own rejection of the tension and seriousness of the Abstract Expressionists led him to search for an alternative way of painting. Rauschenberg found his signature method by embracing items traditionally outside of the artist’s reach. About 1950 Rauschenberg began to paint his all-white, then all-black, artwork. From these ascetic exercises in total minimalism Rauschenberg turned to creating giant, abundantly distinctive and colored collage-assemblages. In 1958, at the time of his very first solo exhibition, his work had moved right from abstract painting to drawings to what he classified as “combines.” These combines intended to exhibit both the discovering and developing of mixtures in three-dimensional collage, which cemented his place in art history.

Rauschenberg’s best-known and most audacious combines would be the “Bed” and “Monogram”. Concerning his artwork he explained: “Painting relates to both art and existence which in turn he tried to act in the space between the two.” This pioneering altered the course of modern art. The idea of combining and of noticing combinations of objects and images has always been at the core of Rauschenberg’s work. As Pop Art blossomed in the ’60s, Rauschenberg averted from three-dimensional combines and began to work in two dimensions, making use of magazine photographs of current happenings to produce silk-screen prints.

In 1958, he had an exhibition in New York City that skyrocketed him to prominence, and his awesome works of art quickly entered the collections of every single large museum in America and abroad. Not satisfied with cultivating his career as a painter, in 1963 he toured with the Merce Cunningham Dance Theater as an active player. In 1964 Rauschenberg got first prize at the Venice Biennale. In the late 1960s he concentrated on developing compilation of silk-screen prints as well as lithographs.

From the mid 60′s through the seventies, this collage artist carried on the experimentation in prints by printing onto aluminum, moving plexiglass disks, clothes, and other surfaces. He challenged the view of the artist by assembling engineers to aid in producing portions technologically made to incorporate the viewer as an active player in the work. During the late eighties, he created the Rauschenberg Overseas Cultural Exchange which was established to expand cultural ties. In every single nation he visited, he will make art and then leave one piece behind. Rauschenberg continued his experimentation, concentrating mostly on collage as well as new approaches to transfer images. In 1994, the World Federation of United Nations Associations chose his painting to appear on a stamp. In 1998, The Guggenheim Museum put together its biggest exhibition ever with four hundred works by Rauschenberg, showcasing the breadth and wonder of his work.

We usually put the words “boring” and “art” together but a collage artist will change the way you think about art. A mixed media painting can show the wonders of mixed media art that many of us has yet to discover. Unleash the inner Picasso in you.

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Annual Forecast and Feng Shui Remedies for 2008 – Yang Brown Earth Rat Year – Dragon Sign

February 16, 2012

If you were born in the Year of Dragon (1904, 1916, 1928, 1940, 1952, 1964, 1976, 1988, 2000) as per Chinese Astrology Horoscopes, know your Destiny in 2008 in your Career/Business, Health, Wealth, Harmony, Love and Studies. Be aware of your strengths and be warned of the negative energies that you may have to face, to plan your strategies well ahead. Get to know the Feng Shui Enhancers and Cures that can help you, too.

Annual Forecast & Feng Shui Remedies for 2008 : Wu Zi, Year of Yang Brown Earth Rat – Dragon Sign (Chinese Zodiac)

The Chinese Zodiac Astrology is ancient, interesting, accurate and loved by millions across the world. The Chinese Zodiac is based on cyclic concept of time : a cycle of 12 years, repeated again and again. The 12 Years are associated with 12 Celestial Animals : Rat (or Mouse on Mongoose), Ox (or Buffalo or Bull or Cow), Tiger, Rabbit (or Hare or Cat), Dragon, Snake (or Serpent), Horse, Goat (or Sheep or Ram), Monkey, Rooster (or Hen or Cock or Chicken or Phoenix), Dog and Pig (or Boar or Hog). The animal names occasionally differ with the Oriental Country they originate. The Chinese Yearly Horoscopes are basically built around these 12 Animal Signs.

Your Chinese Astrological Zodiac Animal Sign is directly based on the Chinese Lunar Year of Birth that you were born. The Chinese New Year is mobile and could start anywhere between 21st January and 20th February, depending upon the year. If your Date of Birth falls into any of the following Chinese Lunar Years, then, because you are born in the Year of the Dragon, you are symbolically identified by your Celestial Animal, the “Dragon” :

From 16 Feb 1904 to 03 Feb 1905

From 03 Feb 1916 to 22 Jan 1917

From 23 Jan 1928 to 09 Feb 1929

From 08 Feb 1940 to 26 Jan 1941

From 27 Jan 1952 to 13 Feb 1953

From 13 Feb 1964 to 01 Feb 1965

From 31 Jan 1976 to 17 Feb 1977

From 17 Feb 1988 to 05 Feb 1989

From 05 Feb 2000 to 23 Jan 2001

In Chinese Hsia Calender, 2008 is the 4705th year and significantly, is also the fifth year of the New Feng Shui Land Luck Cyclic Period 8. The forthcoming new Chinese Lunar Year is from 7th February 2008 to 25th February 2009. The next Chinese New Year, Ji Chow, the Yin Brown Earth Ox will begin on 26th January 2009.

Enjoy the Annual Forecasts and learn about the suggested Feng Shui & Crystal Remedies that you may need for the coming “New Lunar Year 2008 : Wu Zi, Year of Yang Brown Earth Rat” :

CAREER

2008 will be a busy and fruitful year for you. You will also enjoy a better social status and a larger authority. Those who are employed will secure better positions and take home a larger pay packet. It also means more responsibilities and extra workload but which you will discharge with ease and comfort. You will get enough opportunities to prove your capabilities and you will do it to the satisfaction of your superiors. However, the pecking problem of the office politics continues to pester you. Provocative gossips and direct conflicts will keep bothering you and distract you from your accomplishments. You will have to use every ounce of your diplomatic capabilities to insulate yourself from damage. Watch your back, as back-stabbing is a reality, especially if you were born in 1964 or 1976. Many beneficial upgrading courses or training camps will come your way. Departmental transfers are possible, but career switch or company change may lead to disappointments. Installing the statue of Money Frog over Elephant or Monkey over Elephant along with the Great KuanKung will contribute to the stability, promote interpersonal equations and prevent betrayals. Those who are self-employed will expand their activities and strengthen them too. But refrain from diversifying too far and spreading yourself too thin. Draw up a contingency plan to tackle the worst. To avoid losing focus on your primary goals, carry a set of 3 Fortune Flower Coins with you. Certain scheming, shady, wile characters are “eyeing” you this year. Wear an Evil Eye Beads bracelet and carry the genuine, energized photograph of the White Tiger for your protection.

MONEY

Reasonable quantum of money luck can be expected. Many of you will also get an additional bonus or a supplementary income. This is a good time for buying a new apartment or renovating your existing home and buy new assets. However, make sure that you fully understand and agree to the fine print before signing. Do not indulge on impulse buying but take time to check out all the details – consider engaging professionals to do the minute checking. Be alert when you need to redo or get into new agreements. Overspending will bring you crashing down. Do not stand guarantor for anybody, on any account. In case of any property dispute, try and solve it amicably – if you don’t, chances are that you will get into inextricable problems or get entangled in legal problems, which will be unfavorable for you. Do not become greedy for fast money or easy cash and go in for illicit/illegal schemes or else you will land up in legal situations. Display the Laughing Buddha riding the Money Frog and carry a set of 3 PaKua Program Coins. You do have some good gambling luck this year and may make a lot of profits in the stock markets too, but don’t take anything for granted. Carry a set of 3 Nanbu Windfall Luck Coins. Saving for the rainy days should be done on top priority.

HEALTH

Physical and mental strain and lack of sleep will be areas of concern. Take rest and relax yourself. Meditation and Yoga will do good for you. Be careful when you take the stairs. Be extra careful when you are in outdoor sports. Drive with utmost care. During winter and when you are traveling in cold countries, take preventive measures against catching colds. Certain emotional issues might rob you of your appetite. While some of you might get problems related to nervous and respiratory systems, some others may get gastric and stomach problems. Those of you born in 1940 should avoid attending cremation rituals and funeral rites. It is best that you install a Brass Five Elements Pagoda Tower and keep a set of 3 Sau Health Coins under your bed. Many of you, with a sense of regret and sadness, will embark on a trip in search of your roots this year. Some of you will be subject to immense mental stress in trying to settle some unfinished business from the past.

LOVE

A sense of loneliness and sad moods haunt you. Even though the need for a larger personal space is quite high this year, do not stay away from your family for long periods. It might make your already unstable conjugal life more complicated and more disagreeable. Many rumors and rows will rock your marriage and your patience will be tested to the limits. Remember that the family discord is detrimental to your luck this year and resolve all the disputes amicably even if you have to compromise on your ego. These problems will be more severe for those of you who were born in the years 1952 to 1964. Check and clear any cobwebs or pest nests in your home. By placing the statues of Male QuiYong on Dragon and Female QuiYong on Phoenix in the South West of your bedroom and keeping a set of three Harmony Coins under your bed, you can minimize the negativity. For singles, this is an ideal year for wedding but a busy career might come in the way. Some of you will find uncertain and ambiguous relationships become real and tangible.

STUDIES

A favorable year with lots of exam luck. Motivation and concentration are the need of the hour as your focus is shifting to undesirable pleasures and materialistic situations. Stay away from wrong companions – faithful friends are a rare commodity this year. If you are a frequent web surfer, steer clear of those wrong sites. Accept parental guidance and communicate with them frequently about any of your problems. Be careful, as you could be mugged and robbed. Display the Dragon Head Turtle carrying Pagoda Tower in the North East and carry a set of 3 QuiYong Coins, to help you out in these troubled times.

Compatible Sign for 2008 : Rooster

Auspicious Direction for 2008 : West

Auspicious Color for 2008 : White

Auspicious Number for 2008 : 10

Wealth Gods to pray in 2008 : Cheng Huang Ye, Qi Tian Da Sheng

NOTE ABOUT REMEDIES : The above analysis has suggested some remedies/cures for reducing the impact of negative energy and has recommended certain enhancers for increasing and improving upon the beneficial energy of the year. For the remedies/enhancers to be effective, they should be cleansed, energised, blessed and programmed not only for the particular individual/family but also for the specific purpose/problem. They should also be placed in the indicated location, to derive the maximum benefit. Any or all of these remedies can be reused for the forthcoming new years, but they may have to be repositioned according to the specific new year.

Janarrdhana Guptha is an Energy Consultant, Kabbalah Energy Numerologist, Crystal Master, Vaastu/Fengshui Researcher & Clairvoyant Karma Reader. His specialty is permanent Karma Energy Correction through custom-built Crystal Energy Fields. His E-Mail : crystalvaastu@yahoo.com. His websites :http://www.crystal-vaastu.com/home.htm & http://www.newage-kabbalah-numerology.com

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Merce Cunningham- Channels/Inserts

February 13, 2012

Choreography by Merce Cunningham. For more information or to buy the film, visit www.merce.org

http://www.youtube.com/watch?v=35kPfQbn7IU&hl=en

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Ups, Downs, Expectations and Attachments: What the Buddha Missed

February 11, 2012

Think with me a moment about a sad fact of life-together we can decide how to best to work around it:

The higher you fly, the farther there is to fall. Every uptick in luck is packaged with a potential downturn of equal magnitude. From cradle to grave sooner or later one has to relinquish every uplifting gain. Merce Cunningham cultivated flawless physical form, but did not get to keep it ’til the end. Beauties don’t get to keep their beauty. Geniuses don’t get to keep their wits. The higher your star rises in your youth, the greater the loss you experience as your star falls. If you buy a pet dog, it comes packaged with a pet dog’s death, and the more adorable the pet the more devastating the death. All windfalls and gifts are a devil’s bargain, bought at the expense of losing it later.

To deal with the downs that accompany life’s ups, we get philosophical. Got to take the good with the bad, the fleas (or death) with the dog. Adversity teaches wisdom. It’s how we learn compassion for the suffering of others and the cyclical nature of life. A life of constant uplift would be shallow.

Anyone who reads my columns knows I don’t shirk the philosophical approach. But none of us embrace it wholeheartedly. We prefer up to down by a lot.

For a moment then, let’s suspend that philosophical commitment to embracing the downturns. Let’s see if we can figure out how to beat the system.

If you could engineer a life’s fortunes how would you maximize the ups and minimize the downs? The trick would be to sustain the uplift as long as you can and shrink the downfall to an instant. Your life you would go from uplift to uplift either on a constant slope or with plateaus. Then you would be blessed by a sudden death. You would collapse all of your altitude loss into a fleeting moment so you don’t have to experience the dashed expectations, the grief, the confiscation.

The dream life goes from strength to greater strength, joy to greater joy and ends with a heart attack in your sleep. And the nightmare life is one in which you climb very very fast to very high heights of success and then slowly, heartbreakingly over the course of your long life you lose one thing after another.

My father who died of cancer said that with cancer, death approaches slowly from the front, and with heart attacks, death jumps you from behind. Designing a life’s fortune, this expectation factor is important too. The dream (though shallow) life would be lived without awareness of death-no idea that it’s coming or when.

According to legend, Buddha’s father tried to design this dream life for his son. It had been prophesied that Buddha would either be a great teacher or great king. His father wanted him to be a great king and tried to steer him clear of the kinds of downers that would make him suffer. Growing up, Buddha was kept ignorant about old age, disease and death. But curiosity got the better of him. He escaped the idyllic compound his father had built for him and witnessed all three. He then committed himself to the same exercise we’re engaged in here, trying to figure out how to minimize suffering.

He tried the existing approaches. One was hedonism. Since you’re going to die anyway, rev your highs to the skies while you can. Don’t avoid climbing to precarious heights. Don’t worry about falling. Let today’s pleasure be a substitute for tomorrow’s pleasure.

The hedonist’s dream is for today’s highs to stay high, but in reality they rarely do. We get jaded. The old highs down-calibrate to become the new ho-hums. We call this the happiness treadmill, the strong tendency to notice happiness only when it increases and therefore to try to increase it, like running to stay in place on a treadmill. That’s why heroin users increase their doses. It’s either that or let yourself level out to a maintenance dose, or pay off all the highs with the downer of recovery.

Buddha also tried asceticism. If every up you experience raises your standards and expectations and makes you vulnerable to a fall, simply avoid the ups. That way when its time to surrender life’s highs, you have very little to surrender.
Given the happiness treadmill, there are two versions of the ascetic life. One is to stay low and feel it as low. The other is to calibrate the lows so that the low actually feels high. Enjoy simple pleasures.

What Buddha settled upon is often interpreted as experiencing the uplift and downfall together, like mourning your old dog’s death the day you buy her as a young puppy. You hear it in a line like this:

“You see this goblet?” asks Achaan Chaa, the Thai Buddhist master. “For me this glass is already broken. I enjoy it; I drink out of it. It holds my water admirably, sometimes even reflecting the sun in beautiful patterns. If I should tap it, it has a lovely ring to it. But when I put this glass on the shelf and the wind knocks it over or my elbow brushes it off the table and it falls to the ground and shatters, I say, ‘Of course.’ When I understand that the glass is already broken, every moment with it is precious.”

As with asceticism there are two versions. One is to average the ups and their accompanying downs so that you end up with level-headed contentment always. It’s like cultivating moderate jadedness.

The other version is captured in Achaan Chaa’s last line: “When I understand that the glass is already broken, every moment with it is precious.” It’s like he enjoys the glass more-really gets high off on it, precisely because he knows it is eventually going down.

This brings me to a key concept from economics. It’s the difference between substitutes and complements. Substitutes are “instead of’s.” Complements are “also’s.” The economic textbook example of a substitute is consumption of hot dogs and hamburgers. The more hot dogs you consume, the less hamburgers. In contrast, hot dogs and hot dog buns are complements. The more hot dogs you consume the more hot dog buns you consume.

We can apply substitute and complement logic to the relationship between today’s happiness and tomorrow’s. Hedonists assume they’ll treat today’s ups as a substitute for tomorrow’s, and so they aim to really get high today so they won’t be disappointed tomorrow. Ascetics assume they’ll treat today’s ups as a complement for tomorrow’s. They aim low today so they won’t be disappointed tomorrow.

Achaan Chaa seems to be encouraging this kind of blended hedonistic asceticism. Like the hedonists you make today’s ups a substitute for tomorrow’s ups. But like the ascetics you expect tomorrow’s decline to be disappointing so you don’t allow yourself to get too high today. Don’t get high on heroin. Get high on a goblet, precisely because you expect it to break.

Expectation is what Buddha said is the source of suffering. Though at least in Achaan Chaa’s interpretation, expectation of what drives the whole philosophy. It’s precisely because he expected the goblet to break that he enjoys it.. Maybe what Buddha meant causes suffering is expectation of highs, not lows. After all, what drove him to his campaign in the first place? A sobering change in expectation about our fates when he witnessed aging, illness, and death.

I think Buddhism’s understanding of expectation’s role in human life tends to be too glib. Yes expecting too much causes suffering. But expecting too little does too. Expectation isn’t some tacked on human fallibility, it’s central to all human and indeed all living behavior. Everything from evolutionary adaptation to scientific reasoning is all about expectation, anticipating tomorrow, gaining predictive utility. The question isn’t whether to expect but what to expect.

A Buddhist will often say, it’s not exactly expectation really. Rather, it’s attachment to expectation that causes suffering. Attachment sounds like expecting your expectations to be met. Sorry, I don’t think eliminating expectations that your expectations will met is either possible nor the route to ending suffering. What, after all is an expectation if you don’t somehow expect it to be met? I mean what kind of sense does it make to say “I expect to keep improving my skills but it won’t happen.”

But in a way Buddhism has it right. It says expect the unexpected. That’s what’s known as a “liar’s paradox,” a statement that when applied to itself contradicts itself. The original liar’s paradox is the statement “I am lying,” but there are many moral principles that have the same structure. When you apply them to themselves they’re self-contradicting or hypocritical: Do NOT be negative. You SHOULDN’T be judgmental. COMMIT yourself to flexibility. BE INTOLERANT of intolerance.

If a moral principle can be stated as a liar’s paradox (the way these were) it’s not a moral principle, it’s a moral dilemma. Do NOT be negative, for example raises the dilemma about when to be negative. And EXPECT the unexpected works the same way. Short of having a father who protects you from all downers, the trick in life is expectation management, knowing when to expect and when not to expect.

I hope this didn’t bring you down. If it did, I suggest you go find yourself a goblet, and if you’re at all hedonically inclined maybe fill it with some red wine. I expect you’ll enjoy it. And I also expect that all of us will be managing expectations, cradle to grave.

Jeremy Sherman Ph.D. teaches life and social sciences, is executive director of the UC Berkeley Project on Emergent Dynamics, a program to develop a comprehensive theory on how purpose, goal setting and the pursuit of success emerged from a universe governed only by the laws of physics and chemistry–a program to put goal-seeking behavior in a fully scientific context. Jeremy writes an article a week for the free e-newsletter and podcast “Mind Readers Dictionary: Tips for reading between the lines with greater comprehension.” http://www.mindreadersdictionary.com.

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Performing Arts in New York And How To Find It

February 9, 2012

New York is home to over 240 performance venues that includes famous sites such as Carnegie Hall, Radio City Music Hall, and Lincoln Center, New York is one of the world’s great centers for the performing arts.

It acts as the theatrical capital of the nation. It stands in such a position with performances ranging from large, expensive Broadway hits to the smaller and more innovative Off-Broadway and Off-Off-Broadway productions.

New York also plays a better role to the prestigious New York Shakespeare Festival that mounts productions at the Joseph Papp Public Theater most of the year and presents the Shakespeare in the Park series in Central Park in the summer.

New York is home to the New York Philharmonic. It is one of the nation’s most acclaimed symphony orchestras and it is the oldest one too. The country’s premier opera company is the Metropolitan Opera, which is also situated here. Opera is also to be had by the New York City Opera and some other groups too.

In addition to the world famous Juilliard School, the city is a habitat to two other highly regarded schools of music, the Manhattan School Music and the Mannes College of Music. They both present their own concert series characterizing performances by both students and faculty.

These sound a great musical experience to any visitor. A unique classical music experience is provided by Barge-music that is a series of chamber music concerts reachable by a boat on the East River.

New York is also a flourishing center for all types of dance and is predominantly recognized for its classical ballet companies; principally the American Ballet Theater and the New York City Ballet have showed such illustrious names as George Balanchine, Jerome Robbins, and Mikhail Baryshnikov. New York also has so many other ballet companies, and modern dance is corresponded by the Merce Cunningham Dance Company and other groups.

Many types of famous music that includes jazz, rock, blues, and Latin music that prosper in New York in clubs speckled throughout the city. Among the city’s renowned jazz clubs the noticeable ones are the Blue Note, Sweet Basil, the Five Spot, and the Village Vanguard.

New York hotels provide delicious food to visitors making them enjoy themselves thoroughly and go back home satisfied with the way the city has treated them. Flights to New York make travel more comfortable and convenient because of cheap tickets. This makes many people take a tour to New York.

For any assistance on articles or content development, feel free to mail me @: kamalesh.kj@gmail.com

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Greenwich Village Artists – The West Village in Manhattan is the Home to Artist Hotspot Westbeth

February 7, 2012

Most tourists today equate Greenwich Village with celebrities and cool dance clubs. But historic Greenwich Village or West Village New York City, is the grassroots for many local artists of the visual and the performing arts venue, which only briefly become known to the tourist.

One of the older grassroots buildings is home to the largest artist community in the world known as Westbeth and is the heart of all visual and performing artists in Greenwich Village. The Artists’ Residents Council at Westbeth provides free cultural events such as poetry readings, music and drama performances, and foreign and local films. It also runs the Westbeth Art Gallery which exhibits the work of both resident and outside artists.

Greenwich Village Artists

The complex was converted to an artists’ colony in 1969. Located across from the Hudson River, Westbeth was recognized in 1970 as a place where struggling artists needed a place to produce their art without the financial pressure to try and make it as artists. Artists today join ranks of many distinguished and well-known celebrities such as Vin Diesel, Toni Dalton and Robert De Niro, Sr. Struggling today to be recognized as a New York City landmark, it is the original home of Bell Labs (1868-1966). One of the first demonstrations of television transmission occurred at Westbeth. Westbeth was also the original home of the NBC radio network.

Westbeth Artist Gallery

At the Westbeth artist gallery, you will find a wide variety of visual artists some of whom are Westbeth residents while a larger majority come from the outside. Types of visual arts range from watercolor to photography. It’s best to call in advance to confirm opening gallery exhibitions and gallery hours. The gallery is open to the public and is free of charge. The Westbeth community room and courtyard also houses free live dance and music performances, so it’s best to check the website for periodic updates.

West Village and the Arts

Westbeth is also the home to Bank Street Theater at Westbeth and the Merce Cunningham dance studio. Check their websites to find an ongoing list of performances and programs. And of course, the roots of the famous Greenwich Village Halloween Parade began at Westbeth with visual designer, Ralph Lee.

The HB acting studio located right across the street on Bank street and is home to many famous actors. They give free public readings and performances. Westbeth’s inner and outer courtyards have a few neat sculptors in addition to its urban charm. Its main entrance is on Bethune Street, right across the street from the Hudson River.

Good Luck and enjoy Greenwich Village!

Make Your Teaching Sparkle. Teach for Success. Make a difference in the classroom. Subscribe to The New Teacher Resource Center, the FREE e-zine for teacher. Receive the e-book, “Taking Charge in the Classroom” when you subscribe by visiting the New Teacher Resource Center at http://www.newteachersignup.com

Dorit Sasson is a freelance writer, educator and founder and director of the New Teacher Resource Center.

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Jasper Johns – An American Pop Artist

February 4, 2012

Contemporary American pop artist Jasper Johns was born in 1930 in Augusta, Georgia. Raised in South Carolina, from a young age Jasper Johns wanted to be an artist. After attending three semesters at the University of South Carolina, he headed for New York in 1948 to attend the Parsons School of Design, where he attended for one semester before enrolling in the army and subsequently serving for two years during the Korean War. Johns’ friendship with artist Robert Rauschenberg was an important influence in his artistic career. His other friends of the time included composer John Cage and choreographer Merce Cunningham.

Johns’ early work of the 1950s displays a new style which contributed to many further art movements including Conceptual, Minimal, and Pop art. This new style brought out by Johns was said to oppose the expressionistic abstraction of a generation earlier. The characteristic work of this period is the “Flag” (1954-55) depicting the American Stars and Stripes flag. The technique employed for this work was the dripping encaustic paint on a collage made from commonly found materials such as newspaper. This was followed by “White Flag” (1955) which is a large monochrome version of the previous work. These were followed by plenty of other versions of the initial flag painting. These include the oil on paper work, “Flag” (1957) and “Three Flags” (1958) that features three canvases superimposed on one another in reverse perspective.

The choice of the American flag represents “things the mind already knows,” according to Jasper Johns. Other familiar objects employed in Johns’ paintings include stenciled numbers, targets, and beer cans. Another suggestion made for the choice of the American flag has been the autobiographical element, as Jasper Johns was named after Sergeant William Jasper who raised the flag during the Revolutionary War. However, the significance of the flag is still open to reinterpretation with yet another suggestion made that the flag, being a flat object, represents the relative shallowness of modernist art.

Other characteristic examples of John’s work include “Map” (1962), “Numbers”, “False Start” (1959), “Study for Skin” (1962), “Figure Five” (1963-64), “Painting with Two Balls” (1960) and “Seasons” (1986).

The ’70s were characterized by more monotone works initiated by the prints Johns created to accompany writer Samuel Beckett’s text, “Fizzles”. The ’80s witnessed further change in his paintings, with autobiographical elements appearing, and more sentiments being displayed as opposed to his earlier view that he was unconcerned with emotions.

Johns’ works have commanded great prices. “False Start” was purchased by Anne and Kenneth Griffin, private collectors, in 2006 for $80 million. It’s the highest price paid for a painting by a living artist.

Jasper Johns remains one of the foremost figures in American pop art. His focus on popular imagery, and his experiments that push the envelope of painting, sculpture and printmaking set the standards for future experimental artists. The fact that his paintings are part of almost any major collection of a museum highlights his influence and importance in the contemporary art scene. Though he is often classified as a Pop artist, his work displays characteristic of Neo-Dadaism.

The author of this article, George Baxter, is semi-professional artist who works with “Artists Blank Canvas” who sell Artist Canvases to be used by artists for creating oil or acrylic paintings. Their website is also a great resource where you can find a multitude of art articles about other great artists such as Roy Lichtenstein.

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Gato Fedorento – Vanessa Fernandes – Perdidos

December 18, 2011

Sketch com a actuação da campeã Vanessa Fernandes. —————— Visite também: stuartboy.deviantart.com ddrportugal.blogspot.com wii-pinheiro-asiatico.blogspot.com www.wishlistr.com

http://www.youtube.com/watch?v=vGR4axRmpEI&hl=en

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